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.Paul Thomas Anderson, on the other hand, is bringing forth an ambitiousadaptation of the Upton Sinclair novel Oil! based on the scandals of theHarding administration.(Anderson s film has the more evocative if less suc-cinct title There Will Be Blood.) David O.Russell is making a movie about anobnoxious talk radio host, and Charlie Kaufman is directing a film about aplaywright tentatively titled Synecdoche, New York.ALos Angeles Times writerwho got hold of an early version of the script described it as a wrenching,searching, metaphysical epic. 1 Todd Haynes, meanwhile, is due to release hisexperimental biography of Bob Dylan, I m Not There, in 2007.The range of material also indicates a continued willingness and eagernessto play with new technologies and experiment with the forms and rules offilmmaking.For a group of directors who have become more daring and moreidiosyncratic as they have gone along, the possibilities of the digital mediaexplosion seem boundless.They will undoubtedly have misfires, as they havealready, but they seem likely to remain an unconventional and unpredictableforce in American cinema.And in one way or another whether throughromances, cartoons, tragedies, musicals, or whatever other forms might occurto them they seem likely to return again and again to the central questionsabout identity, morality, and purpose that have shaped their work to date.Toanswer Baudrillard s tongue-in-cheek question, what they re doing after theorgy is figuring out what to do after the orgy.NOTESCHAPTER 1: Introduction1.David Foster Wallace, Infinite Jest (Back Bay Books, New York, 1997), p.694.2.David Foster Wallace, E Unibus Pluram, in A Supposedly Fun Thing I ll NeverDo Again (Back Bay Books, New York, 1997), pp.67 68.3.Jean Baudrillard, Beyond the Vanishing Point of Art, in Post-Pop Art, ed.PaulTaylor (The MIT Press, Cambridge, MA, 1989), p.182.4.Francis Fukuyama, The End of History? The National Interest, Summer 1989.5.Baudrillard, Beyond the Vanishing Point of Art, p.182.6.Ibid., p.188.7.Wallace, E Unibus Pluram, p.81.8.Armond White, American Soul, Aisle Five, New York Press, 17(39).9.Rex Reed, It s Anarchy! Film s New Hacks, New York Observer, October 4,2004.10.Jasia Reinhardt, Pop Art and After, in Pop Art: A Critical History, ed.StevenHenry Madoff (University of California Press, Berkeley, CA, 1997), p.18.11.Lynn Hirschberg, Being Charlie Kaufman, The New York Times Magazine,March 19, 2000, p.80.CHAPTER 2: Richard Linklater1.Tim Rhys, Hanging Out With Richard Linklater, MovieMaker, February1997.2.David M.Gross and Sophronia Scott, Proceeding with Caution, Time, July16, 1990.3.Jessica Winter, Days of Being Riled, Village Voice, December 28, 2004.4.Mike Russell, The Richard Linklater Interview, CulturePulp No.54,www.culturepulp.com.192 NOTESCHAPTER 3: Todd Haynes1.Oren Moverman, Human Haynes, Interview, February 1997.2.Ibid.3.Collier Schorr, Diary of a Sad Housewife, ArtForum, Summer 1995.4.Caryn James, Politics Nurtures Poison, New York Times, April 14, 1991.5.Larry Gross, Antibodies, Filmmaker, Summer 1995.6.Roger Ebert, Safe, Chicago Sun-Times, July 28, 1995.7.Steven Schaeffer, Gold Miner, The Advocate, September 15, 1998.8.David Michael, Todd Haynes: Far From Heaven, www.bbc.co.uk/films/2003/02/13/todd haynes far from heaven interview.shtml.9.James, Politics Nurtures Poison.CHAPTER 4: Paul Thomas Anderson1.Margy Rochlin, The Innocent Approach to an Adult Opus, The New YorkTimes, October 12, 1997.2. Boogie Nights, Exotic Magazine, November 1997.3.Lynn Hirschberg, His Way, New York Times Magazine, December 19, 1999.4.Sharon Waxman, Rebels on the Backlot (HarperCollins, New York, 2005),p.191.CHAPTER 5: David O.Russell1.Ellen Pall, A Boy and His Mom Are Soon Partners, New York Times, July 10,1994.2.Sharon Waxman, Rebels on the Backlot (HarperCollins, New York, 2005),p.52.3.Peter Biskind, Down and Dirty Pictures (Simon & Schuster, New York, 2004),p.161.4.Waxman, Rebels on the Backlot, p.50.5.Dan Markowitz, Director Examines Ways of the Suburbs, The New YorkTimes, October 16, 1994.6.David Denby, I Heart Huckabees, The New Yorker, October 11, 2004.7.David Edelstein, I Hate Huckabees, Slate.com, October 1, 2004.8.Andrew Sarris, Guess What, I Heart I Heart Huckabees, New York Observer,October 18, 2004.9.Manohla Dargis, On a Stroll in Angstville, With Dots Disconnected, TheNew York Times, October 1, 2004.CHAPTER 6: Wes Anderson1.Marshall Sella, Boyish Wonder, The New York Times Magazine, December 2,2001.NOTES 1932. Futura and Wes Anderson, November 23, 2004, http://www.kottke.org/04/11/futura-and-wes-anderson.3.Wes Anderson, My Private Screening with Pauline Kael, The New York Times,January 31, 1999, Section 2, p.20.4.Alisa Pomeroy, Wes Anderson: The Royal Tenenbaums, BBC,February 27, 2002, http://www.bbc.co.uk/films/2002/02/27/wes anderson theroyal tenebaums interview.shtml.5
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